The National Portrait Gallery launched a Save Van Dyck campaign: a joint effort by the National Portrait Gallery and the Art Fund to bring Sir Anthony Van Dyck's magnificent final self-portrait into their public collection.
The painting is one of just three known self-portraits created by Van Dyck during his time in Britain, where he found success as King Charles I's principal court painter ...
From 12 through 20 December, James Bloom (Centre College, Louisville, Kentucky (USA)) is affiliated with the Department of History at the University of Antwerp as a Visiting Professor. He will primarily be active in lessons on the socio-economic history of the Middle Ages. Bloom also works on the early modern period. This connection makes his visit also interesting for everyone who is engaged in ...
On Saturday, 7 December, you are cordially invited to the Rubenianum. Specialists will gladly tell you more about the drawing that adorns your grandmother's wall or the image that you cherish above the hearth. This event is offered on the occasion of the 50th anniversary of the Rubenianum.
The Rubenianum welcomes old European art: specifically paintings, drawings, prints (engravings/etchings) ...
The Rubens House is showing the so-called de Ganay manuscript as a world premiere. The manuscript is one of four famous selective copies of the lost theoretical notebook of Peter Paul Rubens. The notebook unveils Rubens' vision and theoretical observations on the proportions of the human body, symmetry, perspective, anatomy and architecture. The Rubens House has also announced the restoration of ...
Till Holger-Borchert (hoofdconservator Groeningemuseum, Brugge) brengt in Meesterwerk. Van van Eyck tot Rubens in detail een overzicht van belangrijke Vlaamse meesterwerken. In dit uitzonderlijk groot formaat wordt tot in de kleinste details ingezoomd op de kunstwerken. Het boek is een samenwerking tussen de uitgeverij Lannoo en de online beeldbank Lukas. Art in Flanders.
40 topwerken van ...
A new edition of The Rubenianum Quarterly recently appeared. The Rubenianum Quarterly publishes on the activities of the RubenianumFund, the Centre for Flemish Art of the 16th and 17th Centuries, the Rubens House (Rubenshuis) and the Rubenianum itself.
In the 14th Quarterly, Bert Watteeuw discusses further about his pursuits in the Rubenianum as the conservator of documentation. Thomas Leysen ...
In the anniversary issue of CODART's eZine, Paul Huvenne (Director of the Royal Museum of Fine Arts Antwerp) discusses Rubens's Flemish heritage.
'When the young Belgian state saw its independence ratified by the nations of Europe in 1840, it celebrated this historic event in Antwerp with Rubens festivities mounted on a grand scale. The new nation yearned for great moments from its past that ...
Antwerp in the early 17th century. Although the city on the river Scheldt was still licking its wounds after prolonged periods of war, economically and artistically it continued to flourish. With the rise of an affluent bourgeoisie, a new outlet had emerged for the visual arts, in addition to production for the Church and the aristocracy. Status was what these new buyers were after. Not before ...
Of the three greats of 17th-century Flemish painting - Rubens, Van Dyck and Jordaens - Jordaens is perhaps the least known in France, having never had a major retrospective in this country. Now, the Petit Palais is taking on the challenge: in the field of classical painting Jordaens: the Pride of Antwerp is set to be the major event of the upcoming Paris exhibition season.
Backed up by superb ...
Jacob van Oost I (1603-1671) is a Bruges painter and draftsman. Van Oost is viewed as the most important 17th-century painter from Bruges. He makes portraits for the Bruges bourgeois and history paintings, but is primarily known for the altarpieces that he makes in the spirit of the Counter Reformation. Many of his altarpieces can be admired in Bruges. He also made copies after Van Dyck and Rubens ...
